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Living Through Conquest: The Politics of Early English, 1020-1220

About the Author

Elaine Treharne

My main research interests are in Early British manuscripts--their intentionality, materiality, functionality and value. I have published widely in this area over the last twenty years, focusing most specifically on religious poetry and prose, and manuscripts dating from c. 1020 to c. 1220. I teach core courses in English Literary History up to about 1600, and courses on Text Technologies, on Palaeography, and on the History of the Book. I supervise honors students and graduate students working in early literature, Book History, and Digital Humanities. I am committed to providing a supportive and ethical working environment for all scholars and colleagues, and I affirm my belief that it...

Oxford University Press
2012

Living through Conquest is the first ever investigation of the political clout of English from the reign of Cnut to the earliest decades of the thirteenth century. It focuses on why and how the English language was used by kings and their courts and by leading churchmen and monastic institutions at key moments from 1020 to 1220. English became the language of choice of a usurper king; the language of collective endeavour for preachers and prelates; and the language of resistance and negotiation in the post-Conquest period. Analysing texts that are not widely known, such as Cnut's two Letters to the English of 1020 and 1027, Worcester's Confraternity Agreement, and the Eadwine Psalter, alongside canonical writers like Ælfric and Wulfstan, Elaine Treharne demonstrates the ideological significance of the native vernacular and its social and cultural relevance alongside Latin, and later, French. 

While many scholars to date have seen the period from 1060 to 1220 as a literary lacuna as far as English is concerned, this book demonstrates unequivocally that the hundreds of vernacular works surviving from this period attest to a lively and rich textual tradition. Living Through Conquest addresses the political concerns of English writers and their constructed audiences, and investigates the agenda of manuscript producers, from those whose books were very much in the vein of earlier English codices to those innovators who employed English precisely to demonstrate its contemporaneity in a multitude of contexts and for a variety of different audiences.