The Cambridge History of the British Essay

From ancient influences on the essay as a form of rhetoric to the Irish essay as performance, from British imperial propaganda to African postcolonial resistance, from political pamphlets to the rise of literary professionalism, from gastronomy to ecocriticism, The Cambridge History of the British Essay offers the first authoritative single-volume history of the form's development within the British literary tradition. It restores to the contemporary understanding of the essay an appreciation of its true richness and diversity. The fifty contributors to this volume come from widely diverse backgrounds and areas of expertise that brings out neglected pockets of essayistic activity, by women, by persons of colour, by poets and pamphleteers. Together, they show how the form morphs to serve new contexts and concerns, remaining a vital genre of literary 'attempt' in the fields of journalism, academic study, autobiography and other forms of life writing, and online language arts.
About the Author
Denise Gigante teaches British Romantic literature, and poetry over a longer tradition. Her interests include poetic form and aesthetics, bibliomania and literary antiquarianism, gastronomy, the history and form of the essay, material print culture, and the mixed-media work of William Blake.
She is currently completing work on The Cambridge History of the British Essay, a monumental history the development of the essay genre by a global network of authors that includes her own chapter, “On Books: The Bibliographical Essay” She is also working to complete The Mental Traveller: William Blake, a study of Blake’s illuminated poetry in relation late Medieval and Renaissance Christian iconography and the literary tradition of Pilgrimage, in a heavily illustrated volume to be published as part of the Clarendon Lecture Series by Oxford University Press.
Her most recently published book is Book Madness: A Story of Book Collectors in America (Yale University Press, 2023), a narrative experiment in literary history that explores different pockets of book collecting in mid-nineteenth-century America. The story is based on the sale of Charles Lamb’s antiquarian books—a quintessential book lover’s library—in New York in 1848.
She is also the author of The Keats Brothers: The Life of John and George, (Harvard UP, 2011), Life: Organic Form and Romanticism (Yale UP, 2009), Taste: A Literary History (Yale UP, 2005), and two anthologies: The Great Age of the English Essay (Yale UP, 2008) and Gusto: Essential Writings in Nineteenth-Century Gastronomy (Routledge, 2005) as well as numerous articles and book chapters on topics of interest from taste and gastronomy to book collecting and poetic form