Tragedy and Postcolonial Literature
This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.
About the Author
Ato Quayson is the Jean G. and Morris M. Doyle Professor in Interdisciplinary Studies and Professor of English at Stanford.
He studied for his undergraduate degree at the University of Ghana and took his Ph.D. from the University of Cambridge, after which he held a Junior Research Fellowship at Wolfson College, Oxford before returning to Cambridge to become Reader in Commonwealth and Postcolonial Literature in the Faculty of English from 1995-2005. He was also Director of the Centre for African Studies (1998-2005) and a Fellow of Pembroke College while at Cambridge (1995-2005). Prior to Stanford he was Professor of African and Postcolonial Literature at New York University (2017-2019) and Professor of English and inaugural Director of the Centre for Diaspora and Transnational Studies at the University of Toronto (2005-2017). In 2016 he was appointed University Professor at the University of Toronto, the highest distinction that the university can bestow.
Professor Quayson has published 6 monographs and 8 edited volumes. His monographs include Strategic Transformations in Nigerian Writing (1997), Postcolonialism: Theory, Practice, or Process? (2000), Calibrations: Reading for the Social (2003), and Aesthetic Nervousness: Disability and the Crisis of Representation (2007). Oxford Street, Accra: City Life and the Itineraries of Transnationalism (2014) was co-winner of the Urban History Association's 2015 Best Book Prize (non-North America) and was named in The Guardian as one of the 10 Best Books on Cities in 2014. His most recent book is Tragedy and Postcolonial Literature (Cambridge University Press, 2021). Edited volumes include Relocating Postcolonialism (with David Goldberg, 2001), African Literary Theory: An Anthology of Literary Criticism and Theory (with Tejumola Olaniyan, 2007), Fathers and Daughters: An Anthology of Exploration (2008), Labor Migration, Human Trafficking, and Multinational Corporations, (with Antonela Arhin, 2012), The Cambridge History of Postcolonial Literature, 2 volumes (2012), A Companion to Diaspora and Transnational Studies (with Girish Daswani, 2013), and The Cambridge Companion to the Postcolonial Novel (2016). He also wrote a new Introduction and Notes to Nelson Mandela’s No Easy Walk to Freedom (2003). Works-in-progress include: The Cambridge Companion to the City in World Literature (with Jini Kim Watson; Cambridge University Press, 2023) and Decolonizing English Literary Studies (with Ankhi Mukherjee; Cambridge University Press, 2023); and Accra Chic: A Locational History of Fashion in Accra (with Grace Tolequé; Intellect Books and Chicago University Press).
Professor Quayson curates Critic.Reading.Writing, a YouTube channel on which he discusses various topics in literature, urban studies and the humanities in general:https://www.youtube.com/channel/UCjoidh_R_bJCnXyKBkytP_g
Professor Quayson has served as President of the African Studies Association (2019-2020). He is an elected Fellow of the Ghana Academy of Arts and Sciences (2006), the Royal Society of Canada (2013), the British Academy (2019), and of the American Academy of Arts and Sciences (2023).
